Ua hoʻolaha ka WHO i kēia lā e hoʻomaka lākou i ko lākou noho kūʻokoʻa Las Vegas i kēia kauwela ma The Colosseum ma Caesars Palace e hoʻomaka ana i Iulai 29, 2017.
ʻO kekahi o nā hui mele kaulana loa a wehewehe ʻia, ʻo THE WHO e hui pū me ka home o nā mea leʻaleʻa maikaʻi loa ma ka honua ma ke ʻano he hui pōhaku mua i noho ma The Colosseum mai ka wā i wehe ʻia ai ke kahua ma 2003.
E kūʻai ʻia nā tiketi no ka holo mua o nā hōʻike ʻeono i hoʻonohonoho ʻia ʻo Iulai 29 a hiki i ʻAukake 11 i ka lehulehu e hoʻomaka ana i ka Pōʻalima, Malaki 17 ma ke awakea PT. Hāʻawi ʻia ka noho ʻana e Caesars Entertainment a me AEG Presents.
ʻO nā hōʻike mua ʻeono e kūʻai aku nei:
Jul.: 29
Aug.: 1, 4, 7, 9, 11
Hiki i nā poʻe ke manaʻo i ka hui e lawe iā lākou i kahi 'Amazing Journey' i kā lākou hana holoʻokoʻa mai nā lā o 'THE HIGH NUMBERS' a hiki i nā mele kahiko e like me 'WHO'S NEXT,' 'TOMMY,' 'QUADROPHENIA,' 'MY GENERATION' a 'LIVE AT LEEDS' a hiki i kēia lā.
THE WHO have sold over 100 million records since forming in 1964; they brought together four different personalities and in effect produced a musical hurricane. Each of them was a pioneer. Wildman drummer Keith Moon beat his kit with a chaotic elegance; stoic bassist John Entwistle held down the center with the melodic virtuosity of a solo guitarist; raging intellectual Pete Townshend punctuated the epic universality of his songs with the windmill slamming of his fingers across his guitar strings; and Roger Daltrey roared above it all with an impossibly virile macho swagger. They exploded conventional rhythm and blues structures, challenged pop music conventions, and redefined what was possible on stage, in the recording studio, and on vinyl. Now into their 53rd year, the band is still going strong and winning rave reviews.
